October 2016

La Samaritane Scheduled to Reopen

For years, one of the world’s most iconic and historic department stores sat empty along the banks of the Seine in Paris; an imposing ghostly shell of former retail splendour, a giant sleeping elephant in the room occupying prime real estate in the heart of the city.

When I heard that renovation works were finally set to begin again after numerous false starts and lengthy delays I was pleased. It was a beautiful building that deserved ressurection.

French Antique Furniture

The Art Nouveau Splendor Palace.

I remember shopping at the Samaritaine before it closed. It had grown old and dingy even then, but it did have everything and anything. I think I was looking for fabric or something. When I learned the icon of Parisian shopping was closing it confirmed the sad state of trying to run a business under the current bureaucratic nightmare of a government in France. I was pleased to learn it was reopening under the umbrella of the fashion giant LVMH, spearheaded by French billionaire Bernard Arnault. (He owns most of the fashion houses in Europe now, including Dior, Louis Vuitton, Celine and too many to list). At least Arnault knows how to operate under the system that’s bleeding the country dry and still make money.

French Antique Furniture

Mon. Arnault

The origins of La Samaritaine is another rags to riches story. The founder Ernest Cognacq, started out his career selling ties under a red umbrella on the Pont Neuf, until 1869, when he heard about a space for let in a petite room next to a café he frequented on the nearby Rue de la Monnaie. He took the offer, opened a small clothing boutique and recruited his wife as his first employee, who had been working as a saleswoman in the confectionary aisles at Le Bon Marché. I wonder if the couple knew then that the famous department store where she left her job would come to be their greatest competitor.

French Antique Furniture
By the dawn of the twentieth century, just thirty years on from Cognacq’s humble beginnings as a smalltime tradesman on the Seine, the couple had expanded their enterprise, giving birth to the large edifice seen today, the “Grands Magasins de La Samaritaine”.

French Antique Furniture
A clever and ambitious businessman, he steadily acquired neighbouring buildings around him and soon enough, entire city blocks were being reworked and reconstructed to make space for his growing empire.

French Antique Furniture
La Samaritaine was an art nouveau palace of retail, the ideally organised and managed department store, arranged as a collection of individually owned stores, each managed by “petits patrons” that operated in harmony but autonomously.

French Antique Furniture
Cognacq used revolutionary marketing techniques, attracting the crowds with “deal of the day” and started doing what might seem obvious to us today– price-labelling the items.

French Antique Furniture

La Samaritaine became Paris’ leading department store and was at its peak during the interwar period, when nearly 20,000 people were under its employ.

French Antique Furniture
It occupied four buildings between the river and the rue de Rivoli, living up to the famous slogan later coined for the department store; “On trouve tout à la Samaritaine” – One can find everything in La Samaritaine.”

French Antique Furniture
There was even a gymnasium and a nursery. That’s something you won’t find in the chic Vancouver ‘Nordstroms’!

French Antique Furniture
I will look forward to the opening of the new Samaratine. They promise to leave all the Art Nouveau splendor that went into building the original palace of luxury shopping. Maybe it will be that way again maybe it won’t. We’ll see now won’t we.

Cheers,

Mark

How Antiques Amp Up a Contemporary Space.

This week on the premier website 1 Dibs, an article was published “How Antiques Amp Up a Contemporary Space”. I’ve pulled the article and reposted on my website. The writer is Cara Greenberg and here is her article below. But I’ve been saying this for years now, and really any good interior designer or decorator already knows this.

How Antiques Amp Up a Contemporary Space.
By Cara Greenberg.

Antiques add drama — and ­more than a little gravitas — to contemporary interiors. Top talents reveal how they pull off the balancing act.

Call it the X factor: the unexpected juxtaposition of decorative elements that lifts a contemporary interior out of the ordinary and makes people sit up and take notice. Often, it’s the insertion of one or more well-chosen antiques, thoughtfully deployed against the clean lines of contemporary furnishings, that makes the whole setting pop. “Antiques are the element of surprise in a contemporary space,” says Los Angeles– and New York–based interior designer Alexandra Loew.

Alexandra Lowe

Alexandra Lowe

“Antiques are a great foil to chic-but-clinical newness,” is how James “Ford” Huniford, of Huniford Design Studio in New York’s Greenwich Village, puts it. “They can keep a contemporary interior from looking like a sterile showroom.”

James Huniford

James Huniford

It wasn’t until the last few decades of the 20th century that mixing styles and periods became acceptable, and then de rigueur. Prior to that, people lived with whatever was, for them, modern in its truest sense — “of the moment,” whether the moment was Louis XIV, Colonial or high Victorian. The early 20th century saw revivals of classical styles, the birth of the modernist movement and the swoops and amoeboid shapes of the immediate postwar years. By the 1960s, when the typical contemporary room was white and spare, with furnishings predicated on the right angle, some design mavericks began bringing in Tiffany lamps and bentwood rockers to leaven the mix.

Antique Accessories

This lovely Louis XVI Console is just at home in a contemporary setting as in a classic. Only this one was produced in France and has an enduring look and quality that will last for decades.

Today, with websites making global shopping possible, the whole of decorative-arts history is fair game for those seeking to create interesting interiors, which can incorporate every style and period from antiquity to the present day. But a delicate balancing act is required. Many top designers selectively use antiques in otherwise contemporary settings to add drama and enliven their schemes. Examples of this are located on our ‘inspiration’ page of our website.

Antique Accessories

Louis XVI chairs like these were sold by us to Interior Decorator Superstar Nate Berkus who used them in one of his design projects just this past year.

Antique Accessories

I love the use of the bureau bookcase and the 60’s maison bague style table in this modern bathroom.

Antique Accessories

This beautiful French Farm table makes this contemporary space look simple and elegant.

So you have it. Mix an antique for drama and style. But you and I already knew that-

Thanks for reading!

Mark LaFleur
226 SW Marine Drive,
Vancouver, B.C.
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